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Overall this is a very impressive effort and marks Patrick Brice out as a filmmaker to keep an eye on. Thankfully, for a film that always feels like it's building up to something, the resolution is well-judged and perfectly executed. Seen through the eyes (or rather camera) of Aaron, the only other on-screen character (played by writer/director Patrick Brice), it's clear fairly early on that something isn't quite right, but should he be worried? Despite an occasional reliance on cynical jump scares (presumably included to ensure that the tension doesn't sag – the film is dialogue-heavy) the suspense ebbs and flows nicely and keeps you guessing as to where it will end up going. The film rests upon – and succeeds because of – Mark Duplass' excellent performance as the type of person we've all met at one time or another someone a little bit too keen to be your friend, inspiring conflicting feelings of suspicion as to their motives and empathy with regard to their ill-judged attempts at social interaction.

Employing found footage in a way that actually makes sense in the context of the plot, Creep is the story of an increasingly awkward relationship between two men that feels frighteningly plausible.
